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The Musiké Project

25 Mar 2009 10:58 GMT

Published by: Spanda Foundation

<div style="text-align:center;"><div><span><img src="http://www.ammado.com/redirect/external?url=http%3a%2f%2fwww.spanda.org%2fmusike_s.gif" alt="musiké" height="39" width="33" /></span></div>
    </div><div style="text-align:center;"><div><div><strong><div>The 
    Musiké Project</div></strong></div></div><br /><br /><div><div><div><div><div> 
    The periodical</div></div></div></div></div><br /><div><div><div><div><div>
    <em><strong>Musiké. <div><div><div><div><div>International 
    Journal of  Ethnomusicological Studies</div></div></div></div></div></strong></em><div>(ISSN 
    1824-7199)</div><div> 
    is a four-monthly peer-reviewed journal <div>[210 x150mm, 
    pp. 160]</div>.</div></div></div></div></div></div><br /></div>
    <p align="center"><img src="http://www.ammado.com/redirect/external?url=http%3a%2f%2fwww.spanda.org%2fMusike1.jpg" alt="Musiké_1" height="185" width="145" /></p>
    <div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div><div>[1, 
    I, 1]  ~ </div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>  
    <strong><em><div>Music & Ritual,</div></em></strong><div> 
    ed. Keith Howard.  </div></div></div></div></div></div></div></div>
    <div><div><div><div><div><div><div><div><div>Keith 
    Howard and Yarjung Kromchai ~ Tamu with Simon Mills, <em>Ritual, 
    Music and Life in Tamu Shamanism</em><br />
    Carole Pegg, <em>Tuning in to Place: Emergent Personhood in a 
    Multi-sensory Khakas Shamanic Ritual</em><br />
    Byron Dueck, <em>'Suddenly a Sense of Being a Community': Aboriginal 
    Square Dancing and the Experience of Collectivity</em><br />
    Diane Thram, <em> Music and Healing: Sites of Power in the Rituals 
    of Xhosa healers/Diviners and the Zion Church in South Africa<br />
    </em><div><div><div>Mark 
    Hobart, <em>Damp Dreams: Some Problems with Dance in Bali</em></div></div></div> Margaret Kartomi, <em>Aceh's Body Percussion; From Ritual 
    Devotional to Global </em>Niveau<br />
    Cheng Yu, <em>China's</em> Xi'an Guye: <em>Ritual and Performance 
    Contexts</em><br />
    Lam Ching-Wah, <em>Recreating music and Dance in Confucian Rituals</em><br />
    Tony Langlois, <em>Representations of Ritual in Moroccan Music 
    Video</em><br />
    Anne Caufriez, <em>Female Poliphony and Ritual for Cereal Growth 
    in North Portugal</em></div></div></div></div></div></div></div></div></div>
    <p align="center"><img src="http://www.ammado.com/redirect/external?url=http%3a%2f%2fwww.spanda.org%2fMusike2.jpg" alt="Musiké_2" height="185" width="145" /></p>
    <div><div><div><div><div><div><div><div><div><div><div><div><div>[2, 
    I, 2]  ~ </div></div></div></div></div></div></div><div><strong><em> Sounds 
    of Identity.<br /> The Music of the Afro-Asians,</em></strong> <br />
    <div><div><div><div><div>ed. 
    Shihan De Silva Jayasuriya</div></div></div></div></div><div>. </div> 
    </div></div></div></div></div></div></div>
    <div><div><div><div><div><div><div><div>Amy 
    Catlin-Jairazbhoy, <em>From Sufi Shrines to the World Stage: Sidi 
    African Indian Music, Intervention and the Quest for 'Authenticity'</em><br />
    Shihan De Silva Jayasuriya, <em>Music and Memories: Oral Traditions 
    from and Indian Ocean Island</em><br />
    Aisha Bilkhair Khalifa, <em>Spirit Possession and its Practices 
    in Dubai (UAE)</em><br />
    Leila Ingrams, <em>African Connections in Yemeni Music</em><br />
    Gaila Sabar ~ Shlomit Kanari, <em>Between the Local and the Global: 
    African Musicians in Israel</em><br />
    Ali Jihad Racy, <em>The Life History of the Lyre: The Tanburah 
    of the Gulf Region</em><br /></div>
    </div></div></div></div></div></div></div>
    <p align="center"><img src="http://www.ammado.com/redirect/external?url=http%3a%2f%2fwww.spanda.org%2fMusike3.jpg" alt="Musiké_3" height="185" width="145" /></p>
    <div><div><div><div><div>[<div><div><div><div><div><div><div><div>3, 
    II, 1]  ~ </div></div></div></div></div></div></div> 
    <div><em><strong> Networks & Islands.<br /> 
    World Music & Dance Education,</strong></em> <br />
    <div><div><div><div><div><div> 
    <div>ed. Ninja Kors</div></div></div></div></div></div></div><div>.</div>   
    </div></div></div></div></div></div></div>
    <div><div><div><div><div><div><div><div>Ninja 
    Kors, <em>Islands, Networks and Webs: Current Issues in Today's 
    Debate</em><br />
    Huib Schippers, <em>A Synergy of Contradictions: The Genesis of 
    a World Music & Dance Centre</em><br />
    Keith Howard, <em>Performing Ethnomusicology: Exploring How Teaching 
    Performance Undermines the Ethnomusicologist Within University 
    Music Training</em><br />
    Patrica Campbell, <em>Ethnomusicology, Education and World Music 
    Pedagogy: Across the Pond</em><br />
    Mark Slobin, <em>The Wesleyan Way: World Music in an American 
    Academic Structure</em><br />
    Michelle Boss Barba ~ Amanda Soto, <em>Enriching or Endangering: 
    Exploring the Positive and Negative Effects of Recontextualizing 
    Mariachi Music for Use in K-12 Schools</em><br />
    Lee Higgins, <em>Participation, the Workshop, and the Welcome</em><br />
    Laurien Saraber, <em>Negotiating Dutch Dance: The Changing Landscape 
    of Dance in The Netherlands</em></div></div></div></div></div></div></div></div>
    <p align="center"><img src="http://www.ammado.com/redirect/external?url=http%3a%2f%2fwww.spanda.org%2fMusike4.jpg" alt="Musiké_4" height="185" width="145" /></p>
    <div><div>[<div><div><div><div><div><div><div><div><div><div><div><div><div>4, 
    II, 2<div>]  ~ </div></div></div></div></div></div></div></div></div></div></div></div></div></div></div> 
    <strong> <em> <div>Analysing East Asian Music.<br /> 
    Patterns of Rhythm and Melody,</div></em></strong><div> 
    <div><div><div><div><div><div><div><div><div><div><div><div><div>ed. 
    Simon MIlls.</div></div></div></div></div></div></div></div></div></div></div></div></div></div></div>
    <div><div><div><div><div><div><div><div><div><div><div><div><div><div><div>Jane 
    Alaszewska, <em>Two Different Beats to a Single Drum: An Analysis 
    of Old and New Stiles of </em>Hachijo-Daiko<br />
    Stephen Jones, <em>Living Early Composition: An Apppreciationj 
    of Chinese </em>Shawn<em> Melody</em><br />
    Eleni Kallimopoulou ~ Federico Spinetti, <em>An Analysis of the 
    Uyghur on </em>Ikki Muqam<em>: Aspects of Melody and Form in the 
    </em>Segha<em> Suite<br />
    </em><div><div><div>Simon 
    Mills, <em>Playful Patterns of Freedom: Hand Gong Performance 
    in Korean Shaman Ritual</em></div></div></div> </div><div>The 
    journal is distributed worldwide through libraries, bookshops, 
    specialist music shops, and by subsciption to individual and academic 
    institutions, ethnomusicological and anthropological archives, 
    or can be<span>ordered</span>
    from us. <br /></div> </div></div></div></div></div></div></div></div></div></div></div></div></div></div>

The Musiké Project

The periodical

Musiké.
International Journal of Ethnomusicological Studies

(ISSN 1824-7199)

is a four-monthly peer-reviewed journal

[210 x150mm, pp. 160]

Musiké_1

[1, I, 1] ~

Music & Ritual,

ed. Keith Howard.

Keith Howard and Yarjung Kromchai ~ Tamu with Simon Mills, Ritual, Music and Life in Tamu Shamanism
Carole Pegg, Tuning in to Place: Emergent Personhood in a Multi-sensory Khakas Shamanic Ritual
Byron Dueck, 'Suddenly a Sense of Being a Community': Aboriginal Square Dancing and the Experience of Collectivity
Diane Thram, Music and Healing: Sites of Power in the Rituals of Xhosa healers/Diviners and the Zion Church in South Africa

Mark Hobart, Damp Dreams: Some Problems with Dance in Bali

Margaret Kartomi, Aceh's Body Percussion; From Ritual Devotional to Global Niveau
Cheng Yu, China's Xi'an Guye: Ritual and Performance Contexts
Lam Ching-Wah, Recreating music and Dance in Confucian Rituals
Tony Langlois, Representations of Ritual in Moroccan Music Video
Anne Caufriez, Female Poliphony and Ritual for Cereal Growth in North Portugal

Musiké_2

[2, I, 2] ~

Sounds of Identity.
The Music of the Afro-Asians,

ed. Shihan De Silva Jayasuriya

Amy Catlin-Jairazbhoy, From Sufi Shrines to the World Stage: Sidi African Indian Music, Intervention and the Quest for 'Authenticity'
Shihan De Silva Jayasuriya, Music and Memories: Oral Traditions from and Indian Ocean Island
Aisha Bilkhair Khalifa, Spirit Possession and its Practices in Dubai (UAE)
Leila Ingrams, African Connections in Yemeni Music
Gaila Sabar ~ Shlomit Kanari, Between the Local and the Global: African Musicians in Israel
Ali Jihad Racy, The Life History of the Lyre: The Tanburah of the Gulf Region

Musiké_3

[

3, II, 1] ~

Networks & Islands.
World Music & Dance Education,

ed. Ninja Kors

Ninja Kors, Islands, Networks and Webs: Current Issues in Today's Debate
Huib Schippers, A Synergy of Contradictions: The Genesis of a World Music & Dance Centre
Keith Howard, Performing Ethnomusicology: Exploring How Teaching Performance Undermines the Ethnomusicologist Within University Music Training
Patrica Campbell, Ethnomusicology, Education and World Music Pedagogy: Across the Pond
Mark Slobin, The Wesleyan Way: World Music in an American Academic Structure
Michelle Boss Barba ~ Amanda Soto, Enriching or Endangering: Exploring the Positive and Negative Effects of Recontextualizing Mariachi Music for Use in K-12 Schools
Lee Higgins, Participation, the Workshop, and the Welcome
Laurien Saraber, Negotiating Dutch Dance: The Changing Landscape of Dance in The Netherlands

Musiké_4

[

4, II, 2

] ~

Analysing East Asian Music.
Patterns of Rhythm and Melody,

ed. Simon MIlls.

Jane Alaszewska, Two Different Beats to a Single Drum: An Analysis of Old and New Stiles of Hachijo-Daiko
Stephen Jones, Living Early Composition: An Apppreciationj of Chinese Shawn Melody
Eleni Kallimopoulou ~ Federico Spinetti, An Analysis of the Uyghur on Ikki Muqam: Aspects of Melody and Form in the Segha Suite

Simon Mills, Playful Patterns of Freedom: Hand Gong Performance in Korean Shaman Ritual

The journal is distributed worldwide through libraries, bookshops, specialist music shops, and by subsciption to individual and academic institutions, ethnomusicological and anthropological archives, or can beordered from us.

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